Click through for a larger version. From Reklaw’s dream strip, Slow Wave.
David Bowie seems like the ideal celebrity to have show up in your dream. You know he’d say something perfectly witty and surreal and push the action along.

updated in PDX by
Lisa Gidley from spiraling.com
contact: daily at spiraling dot com
also see the Tumblr of my Polaroids: Now It's In Your Hands
Click through for a larger version. From Reklaw’s dream strip, Slow Wave.
David Bowie seems like the ideal celebrity to have show up in your dream. You know he’d say something perfectly witty and surreal and push the action along.
“AAAAAaaaaaagh!”“Please calm down. Breathe deeply. Anxiety is a normal part of the temporal displacement field. It will pass quickly. OK. OK? OK. Now: Hello. I am you, from the year 2010, two decades in the future.”
… by standing next to a wet spot on the sidewalk!
Nice. (Just be sure to do it on an overcast day, around noon, for minimal real shadowage.) (Via Boing Boing.)
Above: an untitled page from the “Madame B” album (1870s), by Marie-Blanche-Hennelle Fournier, as part of the “Playing With Pictures” Victorian collage show at the Met.
Except THIS political attack ad has DEMON SHEEP. Top that!
(Via Metafilter.)
The Feelies’ second single, a cover of “Everybody’s Got Something to Hide Except Me and My Monkey,” came out February 2, 1980.
From The Daily Mail: Three cheetahs spare tiny antelope’s life… and play with him instead..
Designer Beverly Hsu has made these delicious Helvetica Cookie Cutters for those of us who lick the type specimen sheets when no one else is looking. Come on. I know you do it, too. I’ve seen you at our support group. (via swissmiss)
Mmm. Apparently these aren’t being mass-produced yet, but give it time.
Just a Japanese salarycat, taking care of business.
Jonathan Richman - “I Was Dancing in the Lesbian Bar”
via yaldabaoth
Love Jonathan Richman!
A short video presenting drum-tapping British people from age 1 to 100.
A new commission for The Curve, Barbican, London. French artist Céleste Boursier-Mougenot creates works by drawing on the rhythms of daily life to produce sound in unexpected ways.For his installation in The Curve, Boursier-Mougenot creates a walk-though aviary for a flock of zebra finches, furnished with electric guitars and other musical instruments. As the birds go about their routine activities, perching on or feeding from the various pieces of equipment, they create a captivating, live soundscape.
These birds are awesome. Somewhere, Glenn Branca is hitting his forehead.
