the daily thing:

my ongoing multimedia mixtape

updated in PDX by
Lisa Gidley from spiraling.com

contact: daily at spiraling dot com

also see the Tumblr of my Polaroids: Now It's In Your Hands

Jesse Reklaw, from a dream by John Martin Marks: “Cinematic Conflict.”

Click through for a larger version. From Reklaw’s dream strip, Slow Wave.


David Bowie seems like the ideal celebrity to have show up in your dream. You know he’d say something perfectly witty and surreal and push the action along.
Jesse Reklaw, from a dream by John Martin Marks: “Cinematic Conflict.”

Click through for a larger version. From Reklaw’s dream strip, Slow Wave.

David Bowie seems like the ideal celebrity to have show up in your dream. You know he’d say something perfectly witty and surreal and push the action along.

How to levitate …



… by standing next to a wet spot on the sidewalk!


Nice. (Just be sure to do it on an overcast day, around noon, for minimal real shadowage.) (Via Boing Boing.)
How to levitate …

… by standing next to a wet spot on the sidewalk!

Nice. (Just be sure to do it on an overcast day, around noon, for minimal real shadowage.) (Via Boing Boing.)

‘Playing With Pictures’ - The New York Times > Arts > Slide Show > Slide 1 of 13

Above: an untitled page from the “Madame B” album (1870s), by Marie-Blanche-Hennelle Fournier, as part of the “Playing With Pictures” Victorian collage show at the Met.
‘Playing With Pictures’ - The New York Times > Arts > Slide Show > Slide 1 of 13

Above: an untitled page from the “Madame B” album (1870s), by Marie-Blanche-Hennelle Fournier, as part of the “Playing With Pictures” Victorian collage show at the Met.

Sure, it seems like just another ominous political attack ad, paid for by California Senate hopeful Carly Fiorina and lancing her primary opponent for the Republican nomination, Tom Campbell.

Except THIS political attack ad has DEMON SHEEP. Top that!

(Via Metafilter.)

via the excellent newwavetimewarp:

The Feelies’ second single, a cover of “Everybody’s Got Something to Hide Except Me and My Monkey,” came out February 2, 1980.

The curious constantly descended on Cornish and the surrounding area, asking residents for directions to Mr. Salinger’s house. Instead of finding the home, interlopers would end up on a wild goose chase. How far afield the directions went “depended on how arrogant they were,” said Mike Ackerman, owner of the Cornish General Store. Mr. Salinger, he said, “was like the Batman icon. Everyone knew Batman existed, and everyone knows there’s a Batcave, but no one will tell you where it is. Cornish Journal - A Recluse? Well, Not to J.D. Salinger’s Neighbors - NYTimes.com
via loveallthis & bauldoff:  

   Designer Beverly Hsu has made these delicious Helvetica Cookie Cutters for those of us who lick the type specimen sheets when no one else is looking. Come on. I know you do it, too. I’ve seen you at our support group. (via swissmiss)

Mmm. Apparently these aren’t being mass-produced yet, but give it time.
via loveallthis & bauldoff:
Designer Beverly Hsu has made these delicious Helvetica Cookie Cutters for those of us who lick the type specimen sheets when no one else is looking. Come on. I know you do it, too. I’ve seen you at our support group. (via swissmiss)

Mmm. Apparently these aren’t being mass-produced yet, but give it time.

Just a Japanese salarycat, taking care of business.

via elvira & toosweet4rnr:

The Brooklyn Bridge
Artist: Joseph Stella, 1939
via elvira & toosweet4rnr:

The Brooklyn Bridge

Artist: Joseph Stella, 1939

[Flash 9 is required to listen to audio.]
via sixbucks & jasontheexploder:

Jonathan Richman - “I Was Dancing in the Lesbian Bar”

via yaldabaoth

Love Jonathan Richman!

Lenka Clayton and James Price: “People In Order” (2008).

A short video presenting drum-tapping British people from age 1 to 100.

Céleste Boursier-Mougenot: The Finches (2010).
A new commission for The Curve, Barbican, London. French artist Céleste Boursier-Mougenot creates works by drawing on the rhythms of daily life to produce sound in unexpected ways.

For his installation in The Curve, Boursier-Mougenot creates a walk-though aviary for a flock of zebra finches, furnished with electric guitars and other musical instruments. As the birds go about their routine activities, perching on or feeding from the various pieces of equipment, they create a captivating, live soundscape.

These birds are awesome. Somewhere, Glenn Branca is hitting his forehead.